Medieval love-poets had only to mention the name of Zephirus, the god of the West Wind, to evoke the keenest desires of courtly society: the passion for clean colours, clear sounds and fresh odours; the longing to ride into the fields bearing a hawk or to sit by a castle window-seat and muse in the breeze. Above all Zephirus was associated with Springtime and youth—so much so that the fifteenth-century Le Jardin des nobles makes Zephirus the husband of ‘Youth … the goddess of flowers’.